On Top (Vinyl) (Remaster) (Limited Edition)

Be With Records presents a reissue of The Moments ' On Top, originally issued in 1971 and a perfect example of symphonic soul. Alongside contemporaneous acts from the early 70s - The Chi-lites, The Stylistics, The Delfonics, The Futures, Blue Magic, and The Main Ingredient - The Moments exuded all that was compelling about deep, harmony-drenched, string-laden soul. The standout here is quot;To You with Lovequot;, a floating, tender ballad sung by Harry Ray that features the group's patented handclap-tambourine combo, sweetly repetitive strings, serene guitar and gentle piano. It was famously sampled by J Dilla for quot;Last Donut Of The Nightquot;, the gut-wrenching finale to his seminal Donuts (2005). Concentrating solely on it's sampled history would do The Moments a huge disservice, but it's appearance at the climax of Donuts directed many soul fans to their work. Judged entirely on it's merit, it's one of the most heart-breaking songs of any decade and worth the price of admission alone. If that wasn't enough, On Top also spawned two R&B hits: quot;All I Havequot; and quot;Lucky Mequot;, each featuring Billy Brown 's ice-melting falsetto. quot;All I Havequot; is a sumptuous introduction to the album, with melancholic, understated guitar licks, twinkling keys and heartbeat drums. The triumphant quot;Lucky Mequot; is simply gorgeous; all gentle chimes, swirling strings, and falsetto soaring atop proud horns. Also included are quot;I Can't Help Itquot; and quot;That's How It Feels.quot; The former features thundering kicks and crashing cymbals underneath flutes and stabbing strings and horns. The yearning vocals embody a Temptations -like delivery at times. quot;That's How It Feelsquot; sees Brown's voice astride a bed of rhythms on a tune more aptly defined as a love suite than a song. Dripping in breakbeats, piano and strings, Brown describes the devastation of losing the one you love before the track brilliantly switches up with a sweeping string-led chorus and heavenly harmonies. The only genuine up-tempo number is quot;Sweeter As The Days Go By,quot; led by Brown in his natural, gospel-inspired tenor. A charming but sorrow-filled quot;I Lost One Bird In The Handquot; is an impressive, slow lamenter, with horns and strings dominating the lushly arranged backdrop. Appropriately, things end on a down-lifting note with quot;Candy Shack.quot; The original analog tapes were remastered for vinyl by Be With regular Simon Francis, and the memorable cover art was carefully reproduced. Edition of 500. Carefully reproduced original art. Remastered from original tape transfers.