Janus

Sweden/New York based band Anders Nilsson's Aorta's second CD 'Janus' offers further inspired riffage, hard-core blowing, imaginative writing, and edge-of-their-seats improvisations, all handled with great interaction and dynamics. While in part focusing on electric sounds, the band's scorched voice is delicately balanced by tender moments of purity. As the title Janus indicates this disc is many-faced and full of wonderful contradictions. It includes several viewpoints and approaches to the band's playing their heart out. All this packaged in cool cover art! Anders Nilsson - guitars, organ Mattias Carlson - saxes, flute-with and without effetcs David Carlsson - electric bass, korg polysix Peter Nilsson - drums, percussion Reviews: Anders Nilsson's Aorta - Janus (Kopascetic 008/Sweden) This is the second colossal post/fusion/progressive effort from local guitar hero Anders Nilsson's Swedish quartet Aorta. It again features Anders on guitars, Mattias Carlson on all saxes & flute, David Carlsson on electric bass and Peter Nilsson on drums & percussion. Like their first disc, 'Blood', Aorta sound as if they are storming out of the seventies before fusion became a predictable set of cliches. This quartet is heavy with strong electric guitar and sax interplay and inspired soloing. I am reminded of great pre-fusion classics like McLaughlin's 'Devotion' album or even a semi-legendary Philly band called Good God, who once played with Miles at the Tower Theatre and gave Miles' band a run for their money. This is one powerful and tight quartet with some wonderful writing making it even more special and unpredictable. Anders plays both acoustic and electric guitars on 'Tight & Tender', an aptly titled tune, laid back and feisty at the same time with a fine solo from Mattias on sax. 'Harlem Space' sounds like King Crimson playing jazz/rock when it begins and then goes through a swell bluesy section. I reaaly dig how 'Sloughing' goes through different sections of free and charted areas, remaining focused and story-like throughout it's epic-length workout. There is a hilarious section for crazed vocal shenanigans midway, as well as some haunting spacious terrain. You just never know where you will end up, except for great surprises. On a few of these pieces the quartet lays back and gets into some fine moody areas - hushed, dark and cerebral. 'Wizardry' is a great brooding, mysterious, jazz/rock classic that continues to haunt me long after the CD has ended, where have I heard this before?!? Considering that it is only January, I know that this fine disc is bound to be one of the year's best under-recognized gems. - Bruce Gallanter, Downtown Music Gallery Jochem Van Dijk's review in ALLABOUTJAZZ: 'The late and lamented Derek Bailey has suggested that due to the current state of jazz-quot;a comfortable reminder of the good old daysquot; was one of his more sympathetic characterizations-a complete separation of jazz and improvised music is in effect. Aorta's sophomore effort, Janus, makes a good case for the validity of Bailey's point. The Swedish band, centered around NY-based guitarist Anders Nilsson, immediately presents in the opening quot;Operation: Janusquot; the elements which make up it's music, none of which are considered jazz. There are streaks of '90s metal in the thematic material and structure of the compositions, which are riff-by-riff and theme-by-theme suite-like pieces, rather than chord-based song structures; you have those loud and obnoxious saxoph